newmediaFIX stops functioning as an online resource in December of 2011. It stays online as an archive, and active on Twitter: @newmediafix We thank everyone who collaborated with us from 2005 to 2011.
Category: News & Events
Arts Writers Grant Program Announces 2011 Grants
The Creative Capital | Warhol Foundation Arts Writers Grant Program is pleased to announce the recipients of its 2011 grant cycle. Designed to encourage and reward writing about contemporary art that is rigorous, passionate, eloquent and precise, as well as to create a broader audience for arts writing, the program aims to strengthen the field as a whole and to ensure that critical writing remains a valued mode of engaging the visual arts. In its 2011 cycle, the Arts Writers Grant Program has awarded a total of $565,000 to twenty-three writers representing twenty projects. Ranging from $8,000 to $50,000 in four categories—articles, blogs, books, and short-form writing—these grants support projects addressing both general and specialized art audiences, from scholarly studies to self-published blogs.
Alexander Dumbadze, Jack Goldstein and the Origins of Postmodernism (Brooklyn)
Jeff Huebner, William Walker’s Mural Art (Chicago)
Emily Eliza Scott, Toxic Gardens: Patricia Johanson’s House and Garden Proposals (Zurich)
George Stolz, From the Word “Art”: Sol LeWitt’s Use of Language (Madrid)
Carol Diehl, Art Vent (Housatonic, MA)
Jason Farago, Art in Common (New York)
Claudia La Rocco, The Performance Club (Brooklyn)
Sohrab Mohebbi, Presence Documents (Brooklyn)
Valerie Soe, beyondasiaphilia (San Francisco)
Meredith Tromble, Art and Shadows (Oakland, CA)
Jason Urban, R.L. Tillman, and Amze Emmons, Printeresting (Austin, TX)
Jane McFadden, There and Not There: Walter de Maria (Los Angeles)
Christine Mehring and Sean Keller, Munich ’72: Olympian Art and Architecture (Chicago)
Judith Ostrowitz, Contemporary Native American Art: Cosmopolitanism and Creative Practice (New York)
Mark Owens, Graphics Incognito: Design, Material Culture, and Post-punk Aesthetics (Philadelphia)
Margarita Tupitsyn, Moscow Vanguard Art Between World War II and the Fall of the Soviet Union (New York)
William Wilson, Ray Johnson: An Illustrated Life in Art (New York)
Kirsty Bell, Berlin
Cinqué Hicks, Atlanta
Murtaza Vali, Brooklyn
Art Writing Workshop
The Creative Capital | Warhol Foundation Arts Writers Grant Program is pleased to continue its partnership with the International Art Critics Association/USA Section, to give practicing writers the opportunity to strengthen their work through one-on-one consultations with leading art critics. For a list of 2011 Art Writing Workshop recipients, see http://www.artswriters.org/writing_workshop.html.
A new widespread condition of sociability invites a questioning of the role of media art practice and new media histories in the context of wider cultural and technological developments, and Rewire aspires to do just that.
CALL FOR SUBMISSIONS: The Open Hardware Scholarship!
- Do you have the next big Open Hardware idea, but just don?t have the funds
The Open Hardware Summit (OHS) is announcing its first Open Hardware
scholarship this year! The purpose of the OHS scholarship is to support
emerging artists/inventors and developers by providing funding for works
that are released as Open Source Hardware. Granting these funds is an
opportunity to draw attention to the Open Source Hardware movement, to give
back to the DIY community, and to give you the chance to join a growing
roster of gamechangers in Open Source Hardware history. If you have a
project that is in the spirit of the OHS and supports the OHSW definition,
we welcome your submissions.
Upwards of $2000 will be awarded. The scholarship is made available by the
generous individuals and sponsors who have made the Open Hardware Summit
The winner will be chosen by the public. All projects will be viewable
online and votes will be collected during the week of the summit. People
will be able to vote on their favorite project remotely or onsite. A check
will be presented to the winning artist/group at the conclusion of OHS on
September 15th at the New York Hall of Science
1. upload a 30 second (maximum) video clip to youtube that showcases the
concept of your project. The title of the video MUST be the title of the
2. include a short paragraph in the description of the video. Your
description must start with the following sentence, and go on to explain
your project in less than 500 characters.
?The following project is a submission to the Open Hardware Scholarship
awarded by the Open Hardware Summit 2011.
Project title: ?
3. email the following information to email@example.com :
name of artist/collaborative group
place of resident (city, state/province, country)
title of project
summary of project (500 characters max)
URL of video clip
URL of project site that includes your application of the OSHW Definition
For submissions is 12:01am, September 14th EST. NO EXCEPTIONS
Please feel free to email firstname.lastname@example.org if you have any questions.
Where does the money come from? We had $2,000 USD left over from our funds
last year and we thought the best way to use it is to give it back to the
Open Hardware Summit 2011
Call for Performances/presentations
WATERWHEEL will be launched on 22 August, in Brisbane (Australia) AND will take place live online on the TAP at 6.30pm – find your time here – Media release attached.
The TAP is an online, real-time venue and forum, workshop and stage for live networked performance and presentation. Here you can create and collaborate, rehearse and remix, present and exchange, participate and communicate—privately as a crew or publicly with an audience. The Tap provides tools for live networking and real-time media mixing.
This is a call for proposals for performances/presentations (of 5 minutes each maximum) for the launch of WATERWHEEL – with a deadline for proposals of 12 August 2011. The entire performance/presentation program will be no longer than 30-45min. Below some info on how to use WATERWHEEL. Do not hesitate in contacting us for more details or a guided tour of the TAP.
Australia Council for the Arts Fellow
http://suzonfuks.net – http://www.igneous.org.au
Please consider the environment before printing this e-mail
WHAT IS WATERWHEEL
A new online platform exploring ‘water’ as a topic and metaphor. Here is a short video presentation about it – check our vimeo account for a new video coming soon showing the TAP in its latest development! See also media release attached and info below.
All you need is a computer with internet access and a web browser with the latest version of Adobe Flash Player. To contribute and collaborate via the Tap, you might also need a webcam and headset depending on your performance/presentation.
* sign up, you will receive an email with a link
* Activate the link, you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
For details, please download pdf document about upload requirements & how to use the TAP.
HOW TO UPLOAD
Video tutorial here.
You can upload: Image (JPG, PNG) | Video (MP4) | Animation/Slideshow (SWF) | Audio (MP3) | Document (RTF, PDF, DOC, XLS) : all media about ‘water’ as a topic or metaphor
HOW TO USE THE TAP
* once you signed up and activated the link received by email
* you can create your TAP (please give it a title) and upload on the WHEEL (check also your junk/spam box, maybe email goes there)
* If you want to invite someone on your TAP, add that user in your crew
* user will receive an invitation by email with a link
* link has to be activated
* user will log in
* then click on ‘My Taps’ & on the table, there will be ‘superD’ TAP or another titled TAP you’ve been invited to
* On the right side of the table, you have a link ‘ENTER’. Click on it.
* the TAP will load on your webpage (patience, it might take a few minutes – you might be asked to update your flash player to new version, that doesn’t take much time. Just follow the prompt. But you might need to re-log-in)
* You can go with or without webcam. You will need to go on the top menu and select a tab (webcam, visuals, audio) and within each tab, an icon that you will drag onto the stage below. If you want to type chat, go on the write side at the bottom, there is an entry for public and crew. And in the middle on the right, there is another entry for a crew private chat (not seen by audience).
* if you click on a media (once it is dragged on the white page), you will see a palette of tools – first row from top: keep your mouse down when you select one of the tools, second row: resetting tools, third row: just a click on the tool you need, volume icon: keep your mouse down and go down to diminish the volume.
This project is initiated by Suzon Fuks as part of a Fellowship assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body; in collaboration with INKAHOOTS and IGNEOUS, supported by the Queensland Government through Arts Queensland, Brisbane City Council, the Judith Wright Centre for Contemporary Arts, Ausdance Queensland, Youth Arts Queensland & iMAL. Creative Sparks is a joint initiative of Brisbane City Council and the Queensland Government through Arts Queensland. People collaborating so far on the project are from NZ, Australia, Indonesia, India, Serbia, Germany, France, Belgium, the Netherlands, UK, Canada & USA.
facebook | blog | vimeo | flickr | twitter | WATERWHEEL site
Cannes, June 24th 2011 – The winners of the 2011 Framepool/ LBB/ FireFlies Challenge come from the United Kingdom, France and Germany. The prominent jury chose their favorites amongst more than 40 short-films on the topic of “compassion”. Christopher Watson-Wood, Gianni Manno, Malte Ollroge and Christoph Hars received the most scores. The awards took place in Cannes yesterday evening.
The winners and their films:
The award for the best film of the 2011 Framepool/ LBB/ FireFlies Challenge goes to „Motherless Child“ by Christopher Watson-Wood from the UK. The short-film deplores man’s effect on nature, or more specifically wildlife. It is
primarily based on archive material from Framepool, in particular animal shots against blue screen. Those are composed into urban life scenarios. Christopher Watson-Wood started his career as a visual effects artist and
worked on several major films, including the Academy-Award nominated ‘The Imaginarium of Doctor Parnassus’ directed by Terry Gilliam.
FÒRUM. 08-09.07.2011 | TALLER DE PROJECTES. 10-15.07.2011
Més informació i inscripcions a la QUAM 2011 – WIKPOLIS: aquí
D’un total de 40 propostes presentades a la convocatòria oberta de projectes, ponències i comunicacions s’han seleccionat un total d’onze. Sis d’aquestes propostes seran presentades en el marc del Fòrum QUAM 2011 – WIKPOLIS. Totes elles formaran part del Fòrum Obert que es publicarà en la pàgina web de ACVic.
Turbulence Commission: “You Don’t Know Me” by Liangjie Xia
[Needs Software Download]
You are not always who other people think you are; you even hear your own voice in a different way. By recording and manipulating a recording of your voice with “You Don’t Know Me”, you will be able to restore your real voice and share with people how you hear yourself. This is a unique task that nobody else in the world can do. “You Don’t Know Me” provides a toolset and an online voice gallery. We are looking forward to hearing your true voice.
Only two more weeks until our award show in Cannes! In addition to the enthusiastic feedback of the jury, we are really happy to announce a new sponsor for the 2011 Framepool/ LBB/ Challenge: The post production company ACHT will sponsor prices worth around 14.000 Euros for the winners.
ALEXANDRA MAIBERGER – PR & Communications
HRB München 133 705 I UID/VAT Nr.: DE 213505798
Vorsitzender des Aufsichtsrates: Dr. Tonio Barlage
Vorstand: Ulrike Ziegler, Dr. Stephan Bleek
LATEST NEWS: http://www.framepool.com/newsflash/