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Archive: July, 2006

NARRATIVAS 2.0 Conferencia de Raquel Herrera Presenta: Belén Gache

Martes 1 de agosto 18.30 Hs.
Espacio Fundación Telefónica
Arenales 1540 Ciudad de Buenos Aires

http://www.fundacion.telefonica.com.ar/espacio/

A través de nociones problemáticas como la de autoría, audiovisualización o ficcionalización, el objetivo de esta conferencia es plantear el estado actual de la cuestión en torno a las narrativas digitales y los conceptos que se están manejando actualmente.

Raquel Herrera (Barcelona, 1979), ha escrito Tempus Fugit , ensayo sobre narrativa interactiva, que recibió el premio Joven de Comunicación 2002 y Espais de la Crítica de Arte 2003, y que también ha sido presentado en la Bienal de Nuevos Medios Interactiva 05 (Mérida, México). Colabora en publicaciones digitales como Artnodes y NewMediaFix y ha coordinado junto con Antoni Mercader las 5as Jornadas de Arte y Multimedia: Metanarratives? (Barcelona, Caixa Forum, 2005). Es Licenciada en Comunicación Audiovisual y Doctoranda del programa de Comunicación Social de la Universidad Pompeu Fabra (Barcelona).

NEW INTERVIEWS AT ARTNODES/ NUEVAS ENTREVISTAS EN ARTNODES

http://www.uoc.edu/artnodes/esp/
Featuring>

Visualization and interactive applications for texts and reading, W.
Bradford Paley (digital artist)
New configurations of identity in Web 2.0 environment, Howard Rheingold
(thinker and writer)
Creation of accessible interactive installations in the public space, Rafael
Lozano Hemmer (digital artist)
Surveillance systems in interactive installations, Marie Sester
(digital artist)
Tangible and visual interfaces for audio compositions, Henry Newton-Dunn
(digital interaction designer)
Integrating human body moving and machine reactions, Scott Snibbe (digital artist)

Con>

Aplicaciones interactivas y de visualización para textos y lectura, W.
Bradford Paley (artista digital)
Nuevas configuraciones de identidad en un entorno Web 2.0, Howard Rheingold
(pensador y escritor)
Creación de instalaciones interactivas accesibles en el espacio público,
Rafael Lozano Hemmer (artista digital)
Sistemas de vigilancia en instalaciones interactivas, Marie Sester (artista
digital)
Interfaces tangibles y visuales para composiciones sonoras, Henry
Newton-Dunn (diseñador de interacción digital)
Combinar movimientos del cuerpo humano con reacciones de la máquina,
Scott Snibbe (artista digital)

http://www.uoc.edu/artnodes/esp/

Turbulence Commission: “Machine Fragments” by Onomé Ekeh

http://turbulence.org/Works/machinefragments/machine.html

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Perhaps the question, “Can Machines Think”? should be re-articulated as “Is the Machine different from you or I”? Why is there a perceptive gap between our tools and ourselves? Do they also not constitute consciousness and by extension the body?

The cultural schisms that generate this differentiation between “man” and “machine” are also responsible for spawning voids and displacements – and the ghosts that inhabit them. It is these ghosts who constitute “Machine Fragments.” Machine Fragments are essentially sound fictions spun from the perspective of sentient machines, testing humans for machine intelligence. Not so much to expose the machinic dimension in humans (we suspected as much), but to arouse the sense that “Machine” is also a kind of gender.

“Machine Fragments” is a 2005 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made possible with funding from The Greenwall Foundation.

BIOGRAPHY

Born and raised on most sides of the Atlantic, Onomé Ekeh started out as a painter, gravitated towards design and fell in love with cinema. The collusion effect is a lifelong fascination with hybrid forms of media and their perpetuation in contemporary culture. Ekeh has written for film, and literary and technological journals both in Europe and the United States; produced works for theater; and created “radio fictions.” She is a frequent collaborator in a number of cross-disciplinary projects. She lives in New York City and has been the recipient of several fellowships and grant awards including the Jerome Foundation/Media Alliance (2000); Harvestworks Digital Media Center Artist-In-Residence (2002). Ekeh is currently a Fellow at the Kunstlerhaus Buchsenhausen in Austria.

For more information about Turbulence, please visit http://turbulence.org

Jo-Anne Green, Co-Director
New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 • Boston: 617.522.3856
Turbulence: http://turbulence.org
New American Radio: http://somewhere.org
Networked_Performance Blog: http://turbulence.org/blog
Upgrade! Boston: http://turbulence.org/upgrade

Naciovestida: Vibraciones luminica

www.naciovestida.com.ar

Vibraciones lumínicas, vibraciones de energía, vibraciones en el aire: denominador común entre imagen, danza y sonido. Encuentro en el instante. Tres lenguajes que  se potencian y se recrean, se oponen y se acompañan. Hipótesis que se resuelven en la mirada del espectador. Construcción intensiva del instante. Evento que se auto-produce, que hace referencia solo a sí mismo, a modo de haiku, solo significa en su poética.

Danza y dirección general: Quío Binetti
Escenografía lumínica: Luminiszenz
                                (Gabriela Sternberg, Yanina M. García)
Tratamiento sonoro: José Binetti
                              (variaciones sobre música de Fernando Kabusacki)

yanina m. garcía
chanis@alpatioestudio.com.ar
http://www.alpatioestudio.com.ar

Screening the Past: Special Issue Cinema/Theatre

Guest Editors: Des O’Rawe and Sam Rohdie

Screening the Past is seeking contributions for a special issue devoted to the development of new writing on the formal and cultural relations between cinema and theatre. The editors wish to publish original articles that explore areas of aesthetic convergence between film and theatre, and that significantly develop upon or challenge existing studies in this field. The editors welcome proposals that are developing innovative approaches to issues such as: The influence or legacy of theatre in the cinema of directors or groupings of directors =96 with strong associations to both art forms (e.g. Nicholas Ray, Jacques Rivette, Max Op=FCls, John Cassavetes, Jean Renoir, Orson Welles, Elia Kazan, Sergei Eisenstein, Ingmar Bergman, Eric Rohmer, Jean Cocteau, Jacques Demy, Luchino Visconti, Kenji Mizoguchi, Otto Preminger, Robert Siodmak, Vincente Minnelli, Buster Keaton, Federico Fellini, F.W. Murnau, and Carl Dreyer); The historical and structural relations between specific theatre movements and the cinema (e.g. American radical theatre of the 1930s and Hollywood cinema; or theatre, film and the European avant-gardes); The significance of theatrical acting styles, performance elements, and staging techniques to the origins and transformations of cinematic mise en sc=E8ne (e.g. ‘theatricality’, scripting, improvisation, voice, gesture, choreography, dance, costume, etc.); The filmic integration or appropriation of theatrical genres, conventions, and motifs (e.g. melodrama, illusion and magic, vaudeville, puppets, masks, choruses, the circus, the clownesque, etc.); The influence of popular theatres and theatrical forms on Asian and other non-Western cinemas; The institutional and stylistic impact of the migration of European theatre directors, actors, technicians and impresarios to the U.S. in the 1930s; The relations between theatricality and documentary film.

Please send 500 word abstracts/outline proposals to both editors by 31 August 2006.
Des O’Rawe: d.orawe@qub.ac.uk
Lecturer in Film Studies, Queen’s University Belfast
Sam Rohdie: srodhie@bellsouth.net
Professor of Cinema Studies, University of Central Florida

All the best,

P.
———————————-
Peter Hughes Program Coordinator, Media Studies Program, La Trobe =20
University, Victoria, 3086, Australia.
ph: +61 3 9479 3065 (w), fax: +61 3 9479 3638 (w)
http://www.latrobe.edu.au/media

Screening the past. An international, refereed electronic journal of =20
visual media and history:
http://www.latrobe.edu.au/screeningthepast

CFP – Encountering Experimental Films – Belfast Call For Papers

The Queen’s University of Belfast will host a postgraduate conference to take place on the 15th of December 2006 at Queen’s University, Belfast

Encountering Experimental Films

When can a film be labelled as experimental? Can a film be labelled as experimental due to the material conditions under which it is viewed and not for any of its production characteristics? Is there such a thing as an experimental approach when we critically watch a film, even a ‘classic’? What kind of viewing strategies do we enact in order to experience and make sense of experimental films?

Submissions should consist of an abstract (about 350 words), for a piece with a reading time of around 20 minutes to allow for around the same amount of time for discussion.

Submissions and requests for information to be sent to scasini01(at)qub.ac.uk and b.g.renzi(at)qub.ac. The final date for submissions will be the 15th September, 2006

Mobile Media: an international conference on social and cultural aspects of mobile phones, convergent media, and wireless technologies

2-4 July 2007
The University of Sydney, Australia

Barely twenty-five years since their commercial introduction, mobile
cellular phones are widely used around the world. Having become an
important technology for voice and text communication in the daily lives
of billions of people, mobiles are now recognised as central for
contemporary transformations in cultural and social practices, and in
new developments in computing, media, telecommunications, Internet, and
entertainment.

Equipment manufacturers, cultural and content producers, and user groups
and creative communities are focussing on the possibilities of
mobile media – with mobiles and wireless technologies, platforms,
services, applications, and cultural forms being designed, manufactured,
and reconfigured as convergent media.

Various forms of mobile media have been imagined for sometime, and are
now a reality: mobile Internet, new forms of mobile text, mobile music,
mobile film and video, mobile games, mobile learning, mobile media for
the workplace, videotelephony, and mobile television. This relatively
short history of mobile telephony is concurrently marked by the shift of
the role of users from consumers to active producers – and mobile media
is being heralded as a new site for consumption, democratic expression,
individualism, citizenship, and creativity.

In this international conference, held at the University of Sydney,
Australia, 2-4 July 2007, we aim to comprehensively analyse and
debate mobile media – exploring its emerging structures, features,
practices, value chains, producers and audiences, delving into its
social, cultural, aesthetic and commercial implications, and debating
its futures.

The conference will feature leading scholars including Genevieve Bell
(Intel), Stuart Cunningham (Queensland University of Technology), Shin
Dong Kim (Hallym University), Leopoldina Fortunati (University of
Undine), Leslie Haddon (LSE), Angel Lin (Chinese University of Hong
Kong), Dong Hoo Lee (Incheon University), Rich Ling (Telenor), Shin
Mizukoshi (University of Tokyo), Raul Pertierra (Ateneo de Manila and
University of Philippines), Misa Matsuda (Chuo University)
and Judy Wajcman (Australian National University).

We also invite papers on all aspects of mobile media, including, but
certainly not restricted to:

* what does it mean to talk about mobiles as media?
* how do we map and theorise the transformations underway with mobile
platforms, applications, and networks?
* mobile art
* mobiles and photography
* emerging cultural and narrative forms for mobiles (such as mobile
films and videos)
* intersections between mobiles and Internet technologies
* wireless technologies and cultures
* mobile television, radio, and other kinds of broadcasting
* video calling and communications
* sexuality, intimacy, and mobile media
* mobile media and national or regional cultures
* subcultures, minority cultures, majoritarian cultures, and mobile media
* how do gender, sexuality, disability, socio-economics,
cultural and linguistic contexts inflect cultural practices
in the far-from-even-and-even terrain of mobiles?
* mobile media and political economy
* mobile gaming
* what are the implications of mobile media for our concepts of culture,
communication, and media
* mobiles, community, and public sphere
* mobile media, place and space
* ramifications of mobile media for creative, cultural and media industries
* challenges of mobile media for policy, regulation, and legislation.

Abstracts of 300 words are due by 10 September 2006 (please send copy of
abstract to both organizers).

Acceptance advised by 20 September 2006, with full papers due by 15
January 2007.

All papers will be subject to masked peer review and published in the
conference proceedings.

For further information, contact: Gerard Goggin, Media & Communications,
University of Sydney, (gerard.goggin@arts.usyd.edu.au); Larissa Hjorth,
Games programs, RMIT University (larissa.hjorth@rmit.edu.au).

Conference website (from August 2006): www.mobilemedia2007.net

Bleeding Heart Festival 2006

http://www.bleedingedgefestival.org/

Bleeding Edge takes place on four stages on the grounds of Montalvo Arts Center in Saratoga, CA. The stunning 1912 Villa is nestled in the foothills above Silicon Valley, with 175 acres of hiking trails and gardens. Gates to the park open at 10:30am on festival day.

The festival will feature concessions serving fresh salads, savory and dessert crepes, and a variety of healthy grilled sandwiches and wraps, all prepared to order. Fine wines, California microbrews, Red Bull, soft drinks, coffee and water are also available. You may bring picnics to the festival but, please, no glass containers or alcoholic beverages.

Paul Laster (Artkrush) interviews Lauren Cornell, executive director of Rhizome, about digital art

AK: The term digital art casts a large umbrella as artists working in a variety of media now use computers in the process of making their work. How do you decide what to include and discuss at Rhizome?

LC: You’re raising a question of terminology, which is interesting. Digital, new media, electronic, or Internet art — these terms often overlap, subsume one another, or are used interchangeably. That terms are continually being captured and recaptured speaks to the emerging nature of this field. It’s important to note that many artists just refer to what they’re doing as art.

Rhizome takes the term new media, using it as a blanket term to encompass a wide range of practices that take emerging technology as a tool, produce it as an object, or reflect on its social or cultural resonance. We are committed to presenting a big picture of the field. However, we do maintain an emphasis on works that deal with the Internet or networked technologies. This is the work Rhizome started with, and it remains a priority; our commissions program gives out grants to Internet-based works, for instance, and our archive of art is comprised of digital works.

AK: How do you exhibit new media art?

LC: We try to demonstrate the breadth of forms new media art can take, so we exhibit it online and also in galleries, museums, or public spaces. Recent examples of shows in gallery spaces are Rhizome ArtBase 101 at the New Museum of Contemporary Art and All Systems Go! at the Scope Art Fair in New York. In both of these shows, we presented works that dealt with technology but manifested in forms as wide-ranging as wall drawings (a piece by Xylor Jane) to software (by John F. Simon, Jr., and Golan Levin) to large-scale, kinetic sculptures (Matt Barton and Paper Rad).

Read more at ArtKrush

UPGRADE! BOSTON: New Media and the Poetics of Communication

http://www.turbulence.org/upgrade/archives/08_01SIGG.html

WHEN: August 1, 7:30-9:30 p.m.
WHERE: Art Interactive, 130 Bishop Allen Drive, at the corner of Prospect
Street, Cambridge. Free parking in the lot on the corner or take the T to
Central Square and walk 1 block.

Adam Brown (Oklahoma, US), Martha Carrer Cruz Gabriel (Brazil) and Michael
Takeo Magruder (UK) — all exhibiting at SIGGRAPH2006, Boston (July 30 to
August 3) — will present their work and participate in an informal
discussion; Bonnie Mitchell, SIGGRAPH2006 Art Gallery: Intersections Chair
will moderate.

PARTICIPANT BIOGRAPHIES

< Adam Brown >
http://www.turbulence.org/upgrade/archives/08_02AB.html

Adam Brown is a digital artist and inventor. His creative activity is
informed by an intermedia tradition that supports collaboration among
various disciplines resulting in a practice that blends digital media with
physical materials. Brown has exhibited nationally and internationally and
is the recent recipient of a Turbulence commission. He curates Upgrade!
Oklahoma which is hosted by Untitled ArtSpace and The University of
Oklahoma’s School of Art. Brown is also a member of the New York Sculptors
Guild.

< < Martha Carrer Cruz Gabriel >>
http://www.turbulence.org/upgrade/archives/08_02MCCG.html

Martha Carrer Cruz Gabriel is an engineer, postgraduate in Marketing, and
postgraduate in Graphics Design. Master’s Degree in progress on Art &
Technology at University of S„o Paulo. Web/MM artist, professor at the
Business School and Digital Design Program of the Universidade Anhembi
Morumbi, director of technology at NMD – New Media Developers. Winner of 11
Internet Best Awards from 1998 to 2005. International awarded speaker.
Gabriel has had two Turbulence Spotlights.

< << Michael Takeo Magruder >>>
http://www.turbulence.org/upgrade/archives/08_02MTM.html

Michael Takeo Magruder is an American artist based in the UK who works
within the fields of new and interactive media. He received his formal
education at the University of Virginia, USA, graduating with distinction in
Biological Sciences. His artistic production has been exhibited worldwide
and encompasses an eclectic mix of forms, ranging from futuristic
stained-glass windows, digital light screens and modular light-sculptures to
architectural manipulations, ephemeral video projections and interactive
network installations. His current explorations and research embrace 3D
stereoscopic projection, immersive multi-sensory environments and
interactive non-linear narratives for network/gallery settings. His work in
these fields is presently supported by Turbulence.org, King’s Visualisation
Lab: King’s College London and Arts Council England. Magruder is the
recipient of two Turbulence commissions.

< <<< Bonnie Mitchell >>>>
http://www.turbulence.org/upgrade/archives/08_02BM.html

Bonnie Mitchell is an Associate Professor in Digital Arts at Bowling Green
State University, Ohio, USA where she teaches time-based media with a focus
on artistic expression and technical problem solving. With degrees in Art
Education, Visual Design/Computer Art and Computer Science she focuses on
curriculum that is artistic, technical and cross-disciplinary in nature. She
typically teaches interactive media, experimental animation, particle
systems and dynamics, and collaborative multimedia production classes.
Mitchellís artworks explore spatial and experiential relationships to our
physical, social, cultural and psychological environment through
interaction. She typically develops large-scale immersive installations that
integrate electronics, animation and audio to create responsive art
environments. Her electronic installation art and international
collaborative web art projects have been exhibited at ISEA, Prix Ars
Electronica, and Digital Salon among others.

Upgrade! Boston (http://www.turbulence.org/upgrade/about.html) is curated by
Jo-Anne Green for Turbulence.org (http://turbulence.org) in partnership with
Art Interactive (http://artinteractive.org). It is one of 19 nodes currently
active in Upgrade! International (http://theupgrade.net), an emerging
network of autonomous nodes united by art, technology, and a commitment to
bridging cultural divides. If you would like to present your work or get
involved, please email jo@turbulence.org.

If you no longer wish to receive these notices, please reply to this email
with ìUNSUBSCRIBEî in the subject line.

Jo-Anne Green, Co-Director
New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 ï Boston: 617.522.3856
Turbulence: http://turbulence.org
New American Radio: http://somewhere.org
Networked_Performance Blog: http://turbulence.org/blog
Upgrade! Boston: http://turbulence.org/upgrade