Today on Networked_Music_Review

Today on Networked_Music_Review
http://turbulence.org/networked_music_review/

Interview: Adam Nash
http://turbulence.org/networked_music_review/2007/12/13/interview-adam-nash/

Adam Nash is a new media artist, composer, programmer, performer and writer. He works primarily in networked real-time 3D spaces, exploring them as live audiovisual performance spaces. His sound/composition and performance background strongly informs his approach to creating works for virtual environments, embracing sound, time and the user as elements equal in importance to vision…

Net_Music_Weekly: John Lifton’s “Green Music”
http://turbulence.org/networked_music_review/2007/12/13/net_music_weekly-joh
n-lifton/

Over the course of four days in June 1976, while open to the public, six large plants in the center of the glass Plant Conservatory in San Francisco’s Golden Gate Park, produced an audible, live digital music score, based on bio-electric sensing of their responses to light, temperature, movement and other physio-environmental factors (using gold needle electrodes at the base of the stem and root). Amid the ‘tropical garden’ stood a five foot high rack of audio and digital processing systems, including the just purchased, Altair 8800, which John was constantly (re)programming in Machine Language…

NMR Commission: “BliK” by Roberto Osorio-Goenaga
http://turbulence.org/networked_music_review/2007/12/12/blik-by-roberto-osor
io-goenaga/

BliK an interactive installation and networked musical composition method based on collaborative “Web 2.0″ principles. The composer / participant types directives / keywords – referencing one of the LEMUR ModBots – into a blog post to create a musical score. The LEMUR ModBots are a set of single-function percussive bots that work as a percussion ensemble…

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